Iprofayile

Yayoi Toda (ivayolin)

Indawo ye-54 kuKhuphiswano loMculo lwaseJapan lwama-1, kunye nendawo yoku-1993 kuKhuphiswano loMculo we-Queen Elizabeth ngo-4. Ufumene imbasa ye-20 ye-Idemitsu yoMculo. IiCD ziquka "Bach: Gqibezela iSolo Violin Sonatas & Partitas", "2th Century Solo Violin Works", ingqokelela yamatye anqabileyo "Amaphupha abantwana", "uFrank: Sonata, Schumann: Sonata No. 3", "Enescu" : Sonata Hayi .1, Bartók: Sonata No. Ngo-2022, "i-Bach: Gqibezela iMisebenzi engakhatshwanga" iya kuphinda irekhodwe kwaye ikhutshwe. Isixhobo esisetyenzisiweyo yiGuarneri del Gesu (eyenziwe kwi-1728) ephethwe nguChaconne (Canon). Wamenywa njengejaji yoKhuphiswano loMculo we-Queen Elizabeth kunye noKhuphiswano lweHlabathi lwaseBartók. Okwangoku uprofesa kwiSebe lokuSebenza, iFakhalthi yoMculo, iYunivesithi yaseFerris, kunye nomfundisi wexeshana kwiFaculty yoMculo, iYunivesithi yaseToho Gakuen.

I-Kikue Ikeda (ivayolin)

Uphumelele amabhaso kuKhuphiswano loMculo waseJapan, kuKhuphiswano lweWashington String Instrument, kunye noKhuphiswano lweViana da Motta ePortugal. Ukusukela ngo-1974, ube ngumdlali wevayolini wesibini weTokyo Quartet iminyaka engama-2. Izixhobo ezisetyenzisiweyo ziyi-Nicolo Amati's 39 "Louis XIV" kunye neemodeli ezimbini ze-1656 ezibolekwe yi-Corcoran Museum of Art, kunye ne-14 Stradivarius "Paganini" ebolekwe yi-Nippon Music Foundation (kude kube yi-1672). Ifumene iNncomo yoMphathiswa wezangaPhandle ngo-2. I-Tokyo Quartet iphumelele iimbasa ezininzi, kubandakanywa iMbasa ye-STERN evela kwimagazini yaseJamani i-STERN, iwonga elona Bhaso loMculo loMculo loNyaka liphuma kwiMagazini yeGramophone yaseBritane kunye neMagazini yokuHlola i-American Stereo, iMbasa ye-French Diapason d'Or, kunye nokuchongwa kweMbasa yeGrammy ezisixhenxe. UNjingalwazi uNin, ilungu le-faculty ye-Suntory Chamber Music Academy.

Kazuhide Isomura (viola)

Ufunde eToho Gakuen kunye neJuilliard School of Music. Emva kokwenza i-Quartet yaseTokyo ngo-1969 kunye nokuphumelela indawo yokuqala kuKhuphiswano loMculo weMunich waMazwe ngaMazwe, waqhubeka edlala kwihlabathi lonke iminyaka eyi-1, esekelwe eNew York. Uphumelele amabhaso amaninzi ngokurekhodwa kwakhe neTokyo Quartet, kwaye ukhuphe iiCD ze-viola solos kunye ne-sonatas njengomntu. Ngo-44, wafumana imbasa yokuPhumelela kweMisebenzi kwi-American Viola Association. Okwangoku, unguprofesa okhethekileyo kwiYunivesithi yaseToho Gakuen kunye nelungu le-faculty e-Suntory Hall Chamber Music Academy.

Haruma Sato (cello)

Ngo-2019, waba ngumntu wokuqala waseJapan ukuphumelela icandelo le-cello kuKhuphiswano loMculo lweZizwe ngeZizwe eMunich. Uye wadlala neeokhestra ezinkulu ekhaya nakwamanye amazwe, kuquka neBavarian Radio Symphony Orchestra, kwaye iirecitals zakhe kunye nomculo wegumbi nazo zamkelwe kakuhle. I-CD debut evela kwi-Deutsche Grammophon edumileyo ngo-2020. Isixhobo esisetyenzisiweyo yi-1903 E. Rocca ebolekwe kwi-Munetsugu Collection. Ibhaso le-2018 kunye nebhaso elikhethekileyo kwi-1 Lutosławski International Cello Competition. Indawo ye-83st kwicandelo le-cello loKhuphiswano loMculo waseJapan lwe-1, kunye neBhaso leTokunaga kunye neBhaso leKuroyanagi. Ufumene imbasa ye-Hideo Saito Memorial Fund, i-Idemitsu Music Award, i-Nippon Steel Music Award, kunye ne-Arhente yoMkomishinala weMicimbi yeNkcubeko (iCandelo loBugcisa baMazwe ngaMazwe).

UMidori Nohara (ipiyano)

Uphumelele indawo yoku-56 kuKhuphiswano loMculo lwaseJapan lwama-1. Emva kokugqweswa kwiYunivesithi yaseTokyo yezobuGcisa phezulu kwiklasi yakhe, wathuthela eFransi waza waphumelela indawo ye-3 kwi-Busoni International Piano Competition, indawo ye-2 kwi-Budapest Liszt International Piano Competition, kunye ne-23st kwi-1rd Long-Thibault International. Ukhuphiswano lwepiyano. Ukongeza kwimisebenzi yakhe yokuphindaphinda, usebenza ngokubambisana nabaqhubi kunye neeokhestra ekhaya nakumazwe ngamazwe, nakumculo wegumbi. Kwi-2015, wamenywa njenge-juror kwicandelo lepiyano ye-Long-Thibault Crespin International Competition. IiCD: "Ukukhanya kwenyanga", "Gqibezela iRavel Piano Works", "Unyaka wokuHamba 3 kunye nePiano Sonata", njl. Unjingalwazi odibeneyo kwiYunivesithi yaseTokyo yezobuGcisa kunye nonjingalwazi ondwendweleyo kwiKholeji yoMculo yaseNagoya.

メ ッ セ ー ジ

Yayoi Toda

Ndingathanda ukubulela uMnu. Ikeda noMnu. Isomura, ababengamalungu eTokyo Quartet, ngenkxaso yabo enkulu eNew York, yaye esi iya kuba sisihlandlo sesibini sisebenza kunye. Ndisebenze nomdlali wepiyano uMidori Nohara amaxesha amaninzi kwiziqwenga ezinzima zikaShostakovich noBartok, kwaye ungoyena mntu ndisebenza naye endimthembileyo. Le iya kuba yintsebenziswano yethu yokuqala nomdlali weseli uHaruma Sato, ongomnye wabadlali abancinci abahamba phambili eJapan kwaye osebenzayo kwihlabathi jikelele, kwaye sijonge phambili ekwenzeni iDebussy kunye naye. Xa kuziwa kumculo, ukusebenzisana neemvumi onokuzithemba ngokwenene kuya kwandisa ubuhle bomsebenzi wakho kunye nokwaneliseka ekuwenzeni. Kwakhona, elo xesha libubutyebi kum. Ndijonge phambili kuyo.

Ixhaswe yi: Japan Isai Association
Umxhasi-mncedi: Umbutho wokuKhuthaza iNkcubeko yeSixeko saseOta
Ixhaswe ngu: Uzakuzo woBukumkani baseBelgium
Uzakuzo waseFransi eJapan/Institut Francais
UMphathiswa weMicimbi yaNgaphandle
Umbutho weCello waseJapan
Umbutho waseJapan-Belgium

Inkonzo yesiqhumiso samatikiti iApricot Wari