Yintoni iRyuko Memorial Hall?
URyuko Kawabata
1885-1966
IHolo yeSikhumbuzo iRyuko yasekwa ngo-1885 nguRyuko Kawabata (1966-1963), owaziwa njengenkosi yemifanekiso yaseJapan yanamhlanje, ukukhumbula iMbasa yeNkcubeko kunye neJuu.Ukupheliswa kukaSeiryusha, ebisebenza kwasekuqaleni, ishishini lithathiwe njenge-Ota Ward Ryuko Memorial Hall ukusukela ngo-1991.Imyuziyam inemisebenzi emalunga ne-140 eyenziwa nguRyuko ukusuka kwixesha lokuqala laseTaisho ukuya kwithuba lasemva kwemfazwe, kwaye wazisa ngemizobo kaRyuko kwiindlela ezininzi.Kwigumbi lokubonisa, ungonwabela imisebenzi yamandla ezotywe kwiscreen esikhulu.
Echasene neRyuko Memorial HallIpaki yaseRyukoには、旧宅とアトリエが保存されており、画家の生活の息づかいが今も伝わってきます。龍子記念館と龍子公園内の旧川端龍子邸、画室は、令和6年3月に国の登録有形文化財(建造物)に登録されました。
- Cofa apha ukuze ufumane ulwazi lomboniso lwamva nje
- Inkcazo yevidiyo yeHolo yeSikhumbuzo saseRyuko
- Ingxelo yomsebenzi "Incwadana yokubhalela yeSikhumbuzo"
- Iprojekthi yentsebenziswano yokwakha eyi-4 "Ikhosi yeholo yesikhumbuzo"
I-Kawabata Ryuko Isifinyezo Incwadi Yonyaka
Ngo-1885 (uMeiji 18) | Uzalelwe kwisiXeko saseWakayama. |
---|---|
Ngo-1895 (uMeiji 28) | Bafudukela eTokyo nosapho.Kuqala wakhulela eAsakusa Nihonbashi. |
Ngo-1904 (uMeiji 37) | Ufunde umzobo waseNtshona eHakuba-kai kunye noMbutho wePainting wePacific |
Ngo-1913 (iTaisho 2) | Bahamba baya eUnited States.Emva kokubuyela eJapan, watshintshela kwimizobo yaseJapan. |
Ngo-1915 (iTaisho 4) | Kukhethwe okokuqala kwi-2 Nihon Bijutsuin Exhibition. |
Ngo-1916 (iTaisho 5) | Wafumana imbasa yeChogyu kuMboniso weZiko lesi-3. |
Ngo-1917 (iTaisho 6) | Ikhethwe kuMboniso weZiko lesi-4.Iyacetyiswa nguNihon Bijutsuin Doujin. |
Ngo-1920 (iTaisho 9) | Indlu entsha kunye negumbi lokupeyinta eAraijuku. |
Ngo-1928 (iShowa 3) | Unqabile uNihon Bijutsuin Doujin. |
Ngo-1929 (iShowa 4) | Isibhengezo sokusekwa kukaSeiryusha.Umboniso wokuqala ubanjiwe. |
Ngo-1959 (iShowa 34) | Ndifumene iMbasa yeNkcubeko. |
Ngo-1963 (iShowa 38) | Kuvulwe iRyuko Memorial Hall. |
Ngo-1966 (iShowa 41) | Usweleke ngo-Epreli 4 eneminyaka engama-10. |