Uvele kwiifilimu ezininzi, kuquka ethi "It's Tough Being a Man: Torajiro's Pure Poetry Collection," "Mountain Cherry Blossoms," "Carrying Spring on My Back," kunye nethi "Hit and Run: The Best, Worst Day," kunye needrama ezifana nethi "The Face of Japan," "Kura," "Kou-ga-tsuji," "Hana Moyu," "Semi Otoko," kunye nethi "Himawari on the Board." Udunyiswe ngokunciphisa umqobo kumculo weklasikhi ngendlela yakhe yokonwabisa umculo njengomsasazi we-"NHK Symphony Hour." Kwirediyo ye-FM, "NHK Symphony Orchestra The Legend," ubonise ukhetho lwezona midlalo zibalaseleyo ze-orchestra kwiingxelo zayo. Ukwangumlandeli omkhulu womculo weklasikhi kunye ne-opera. Ukwabelane ngovuyo lobugcisa njengomsasazi we-"New Sunday Art Museum," kunye nobuhle bomculo weklasikhi ngokubalisa kwakhe i-"Daily Manyoshu." Iincoko zakhe nazo zamkelwe kakuhle, apho i-"If You Say This, You Eat This" iphumelele i-15th Kodansha Essay Award.
天羽UAkie (i-soprano)
Le mvumi ye-soprano ifumene udumo olukhulu ekhaya nakwamanye amazwe ngelizwi layo elinomculo. Ngo-1995, yafumana iMbasa yesi-6 yeGoto Memorial Cultural Award for New Opera Artists. Ngaloo nyaka mnye, yaqala ukucula iZerbinetta kwi-Ariadne auf Naxos phantsi kwesandla sikaChristian Thielemann kwiRheinsberg Festival, isango leetalente ezintsha. Yaphumelela indawo yokuqala kwi-3rd Queen Sonia of Norway International Music Competition. Ukususela ngoko, ihlale eJamani, ivele kwiindlu ezininzi ze-opera kunye neminyhadala kulo lonke elaseYurophu, kuquka iSaxon State Opera kunye neKomische Oper Berlin. EJapan, ikwavele njengomculi wedwa kwiNew National Theatre, kwiSuntory Hall Opera, nakwimiboniso eqhelekileyo yee-orchestra ezinkulu. Ilungu lebhodi leTokyo Opera NEXT, kwaye ikhuthaza i-opera ngokuxhasa abaculi abancinci kunye nokuvelisa imiboniso ye-opera ngeenkcazo. Ikwalilungu leKomiti eLawulayo yeRossini Society.
Kensuke Takahashi (piyano)
Uphumelele kwiSebe leMusicology kwiYunivesithi yoBugcisa yaseTokyo waza wagqiba izifundo zakhe kwiGraduate School of Music, egxile kwiMusicology. Ufumene iPhD yakhe kuMculo kwiSeitoku University Graduate School, enethisisi kwiRecitative Secco kaMozart. Ukususela ngo-2022, ebelilungu labasebenzi bomculo kwiNew National Theatre, ethatha inxaxheba kwimveliso emininzi njengomdlali wepiyano kunye nomqhubi oncedisayo. Ukususela ngo-2014, ebebandakanyeka njengekrépétiteur kwimiboniso ye-opera kwiHyogo Performing Arts Center (eqhutywa nguYutaka Sado). Wayelilungu le-Opera Academy eS. Amadeus de kwaba ngu-2016, esenza iipiyano ezimbini kwimiboniso eqhutywa nguKazuyoshi Akiyama, phakathi kwezinye. Ukwaqhube ii-orchestra ezininzi, kuquka iHiki Symphony Orchestra. Ungumfundisi kwiNikikai Opera Training Institute kwaye ungumfundisi wexeshana kwiOkinawa Prefectural University of Arts.
UToshihiko Urahisa (Umqhubi wenqanawa)
Umbhali kunye nomvelisi wezobugcisa benkcubeko. UMlawuli weKaruizawa Book Forest, uMlawuli oMeleyo we-European Foundation for Japanese Arts, kunye noMcebisi wezeMfundo kwi-Aichi Prefectural Board of Education. NgoMatshi 2021, "uMboniso woMculo weGifu ozayo ka-2020," awayewucwangcise njengomlawuli womculo weSalamanca Hall, uphumelele iSaji Keizo Prize yama-20 kwiSuntory Foundation for Arts. Iimpapasho zakhe ziquka "138 Billion Years of Musical History" (Kodansha), "Why Did Franz Liszt Make Women Faint?" kunye ne "The Violinist Called the Devil" (zombini iShinchosha), "Is There a Future for Orchestras?" (ebhalwe kunye nomqhubi uKazuki Yamada) (Artes Publishing), kunye ne "Liberal Arts: Mastering 'Play' to Become a Sage" (Shueisha International). Incwadi yakhe yamva nje yi "Musicians Read Books: Toshihiko Urahisa's Random Reading Dojo" (Artes Publishing).
